Includes bibliographical references (pages 211-226) and index.
Written for Introductory Sociology and Sociology of Popular Music courses, this book uses popular music to illustrate fundamental social institutions, theories, sociological concepts, and processes. The authors use music, a social phenomenon of great interest, to draw students in and bring life to their study of social life.
This book provides an up-to-date introduction to the study of popular music. It is written in the belief that the analysis of popular music needs to be informed by wider debates in sociology and cultural studies. The book examines the ways in which popular music is produced, structured as text, and understood and used by audiences. It includes overviews and critiques of general theories, outlines of the most important empirical studies, and data on the contemporary production and consumption of popular music. Drawing on the theories of Adorno and Weber, Longhurst examines the contemporary organization of the music industry, the social production of music, and the effects of technological change on production. The history and politics of popular music are discussed, as are the connections of popular music and sexuality. Issues such as authenticity, stemming from the debates around black music, are addressed, and several different ways of studying the text of popular music are reviewed. The literature on sub culture and music is looked at in the context of an examination of the audience for pop music. Developing work on fans is considered, as are contemporary approaches which problematize relationships of production and consumption. Clearly written and well illustrated, popular music and society will be and excellent textbook for students in the sociology of culture, cultural studies, and media am d communication studies.
Do książki dołączony jest komplet 2 płyt CD o tej samej sygnaturze.
The most complete, colorful, and authoritative package of its kind, American Popular Music: From Minstrelsy to MP3, Third Edition, examines popular music in the United States from its beginnings into the 21st century. Highlighting the contributions of diverse groups, Larry Starr and Christopher Waterman trace the development of jazz, blues, country, rock, hip-hop, and other popular styles. They combine an in-depth treatment of the music itself - including discussions of stylistic elements and analyses of musical examples - with solid coverage of attendant historical, social, and cultural circumstances.
Completely amended and updated to include cultural events since 1997, this very welcome second edition is the complete introduction to culture and the arts in Britain today. Exploring issues such as language, the novel and poetry, theatre, TV, and radio, David P. Christopher takes a factual approach and investigates the key movements of British culture, setting them in a clear, historical context. Extensively illustrated and incredibly student-friendly, the chapters focus on key themes including politics, the media and language, with emphasis on outstanding artists in each area, and strengthens reading and study skills through follow-up activities and suggestions for further reading at the end of each chapter. This exciting second edition includes: a more in-depth analysis of films and novels extended analyses of the subjects for students new to British culture fully revised and updated chapters two brand new chapters on sport and print media authentic extracts from novels, plays and TV series discussion of recent cultural events such as the building of the London Gherkin, and the phenomenon of the Harry Potter novels. David P. Christopher's book is an engaging study of the art of contemporary life and is a must-have for the bookshelf of any student of modern Britain.
In an interdisciplinary collection of specially commissioned essays, the book uncovers the complex economic and political contexts in which these changes took place. Covering a wide variety of art forms - drama, television, film, poetry, the novel, popular music, dance, cinema and the visual arts - authors investigate how sixties' culture became policized, and how its inherent contradictions still have repercussions for the arts today.